There is something so naked and honest with folk music because of its simplicity while the void/negatives in the music could be subtle, suggestive and dark. The contradiction draws Narbi to explore the folklore path while staying in and away from the comfort in the giant’s footstep. Narbi Ghenc, a moniker comes from an anagram, sounding a bit different, a bit fictional and a bit exotic. Perhaps this is also what Narbi is trying to do with his folk music. “I hope my music could take you somewhere, be it imaginary land or a real place; at some time, future, past, going backward, forward or frozen. When the music finishes, you come back to the present, and this is it.”